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| writer = | starring = | music = Jean Constantin | cinematography = Henri Decaë | editing = Marie-Josèphe Yoyotte | studio = Les Films du Carrosse | distributor = Cocinor | released = | runtime = 99 minutes | country = France | language = French | budget = | gross = 4,166,149 admissions (France)〔(Box Office information for Francois Truffaut films ) at Box Office Story〕 }} ''The 400 Blows'' ((フランス語:Les Quatre Cents Coups)) is a 1959 French drama film, the debut by director François Truffaut; it stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who is thought by his parents and teachers to be a troublemaker. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character. ''The 400 Blows'' received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d'Or nomination in 1959. The film was also nominated for an Academy Award for Best Writing in 1960. ''The 400 Blows'' had a total of 4,092,970 admissions in France, making it Truffaut's most successful film in his home country.〔(【引用サイトリンク】publisher=''J.P.'s Box-Office'' )〕 It is widely considered one of the greatest films of all time; in their 2012 poll of all-time classics, Sight & Sound ranked the film 39th. ==Plot== Antoine Doinel (Jean-Pierre Léaud) is a young boy growing up in Paris during the early 1950s. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble), Antoine frequently runs away from both places. The boy finally quits school after being caught plagiarizing Balzac by his teacher. He steals a typewriter from his stepfather's (Albert Remy) work place to finance his plans to leave home, but is apprehended while trying to return it. The stepfather angrily turns Antoine over to the police and Antoine spends the night in jail, sharing a cell with prostitutes and thieves. During an interview with the judge, Antoine’s mother confesses that her husband is not Antoine’s biological father. Antoine is placed in an observation center for troubled youths near the shore (as per his mother's wishes). A psychologist at the center probes reasons for Antoine's unhappiness, which the youth reveals in a fragmented series of monologues. One day, while playing football with the other boys, Antoine escapes under a fence and runs away to the ocean, a place he has wanted to visit his entire life. He reaches the shoreline of the sea and runs into it. The film concludes with a freeze-frame of Antoine, and the camera optically zooms in on his face, looking into the camera. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The 400 Blows」の詳細全文を読む スポンサード リンク
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